Browse Items (82 total)

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John Henry Nash moved to San Francisco in 1895 and worked for a variety of presses before printing under his own name. The mitred rule (the vertical and horizontal lines that frame the text in many of his works) is a distinguishing trait of his work,…

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"Printed by T.J. Cobden-Sanderson and Emery Walker at the Doves Press, No. I, The Terrace, Hammersmith, from the text of the late Dr. Scrivener's Paragraph Bible by permission of the Syndics of the University Press Cambridge. The verse had been…

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The Doves Bible shows a shift away from the ornate designs of the Kelmscott Press towards a simpler aesthetic in which composition and the elegance of the printing are brought to the fore. The Bible is printed in black with red and blue used…

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This is a work of the Ashendene Press, which began printing in 1895 and continued until the first World War forced its closure in 1915. It was revived after the war in 1920 and continued printing until 1935. Two hundred and twenty five copies have…

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75 copies of this book were printed for William Morris by the Chiswick Press for private distribution. It was printed in a black letter facsimile of one of Caxton's on hand-made paper left over from the large paper copies of The Roots of the…

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This volume by the Merrymount Press of Boston shows the appreciation for fine printing moving to North America. The illustrations, by Edward Burne-Jones, were originally intended for a large "Biblia Innocentium" to be published by the Kelmscott…

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Thomas James Cobden-Sanderson was a friend of Morris, a lawyer who, after learning bookbinding, left the practice of law to focus on his new craft. In 1893 he founded the Doves Bindery in Hammersmith with the intention of accomplishing for…

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In A Note by William Morris on His Aims in Founding the Kelmscott Press, he wrote "[a]fter a while I felt that I must have a Gothic as well as a Roman fount; and herein the task I set myself was to redeem the Gothic character from the charge of…

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This book was printed by Nicolas Jenson, the printer noted by Morris for the influence of his Roman type on Morris's Golden type. Jenson printed it in 1475 in his Gothic type. 

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It had been Morris's hope that the Kelmscott Press would continue after his death, but his executor, Sydney Cockerell, decided it should be closed to keep all Morris's publications as a cohesive body. This trial page is one of the last things printed…
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