Browse Items (42 total)

040 FMN 1823 Paper Boards.png
The first literary annual that was profoundly successful was published in green paper boards with ornate designs on that cover and its slipcase as well as gild edges on the paper. Published in a duodecimo (small) format, the engravings and literary…

001 Madonna frontispiece 1823 FMN.tiff
This first Forget Me Not volume introduces a much more intricate steel-plate engraving, Madonna, engraved by John Samuel Agar. This frontispiece sets the tone for Ackermann’s experiment by presenting an image of the Madonna “from a painting by…

002 Presentation plate 1823fmn.tiff
The opening pages of the first Forget Me Not, as with all literary annuals in England and America, invite reader participation and encourage gift-giving with a presentation plate and tissue guard. The engraving itself includes the year and title of…

003 June Woodcut 1823 FMN.tiff
For this first volume, Ackermann used only one engraver, John Samuel Agar, to create both the steel plate frontispiece engraving and the monthly wood-cut engravings of Twelve Months that are the focus of this first volume. Though Rudolph Ackermann's…

004 Bouquet 1825 FMN.tif
Many engravings in the literary annuals were portraits, bucolic scenes, and these kinds of botanical arrangements. A process of intaglio steel plate engraving was widespread by Rudolph Ackermann after he successfully created a production line in his…

023 Steel Engraving Ex.png
Though the paper size evolves through the life of most literary annuals, the printed space, the printing plate, remains octavo and the page begins to incorporate large margins around the text blocks in 1825 with The Literary Souvenir. This was done…

005 Slipcase 1825 FMN.tiff
The neo-classical embellishments adorning early annuals' covers and slipcases remind readers of the three graces: charm, beauty, and literature. Ackermann, with this final marker of the literary annual, focuses on establishing the literary annual in…

006 Blake_The_Hiding_of_Moses.jpg
In order to attract their readers, publishers paid exorbitant prices to “borrow” original paintings and have them rendered as engravings. A single portrait required anywhere between twenty and two hundred guineas for borrowing fees and up to two…

007 Autograph 1 1826LS.tiff
One of the alterations popularized by the Literary Souvenir mimicked elements of the “album” genre. The Literary Souvenir included printed facsimiles of authors’ signatures in the last three to six pages of the book. Though the autographs are…
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